Hollywood

Good point.

Take Mr. Pollack's new movie on international terrorism, "The Interpreter." Stepping back from even the outermost brink of reality, it switched the source of terrorism from a fictional Middle Eastern country to a fictional African country. "We didn't want to encumber the film in politics in any way," Kevin Misher, the movie's producer, told the Wall Street Journal. Politics? How about encumbering the film with a little history or maybe a few current events?

But fantasy-land is where Hollywood lives these days. The world burns and Steven Spielberg remakes the sci-fi chestnut "The War of the Worlds." The producers of last summer's "The Manchurian Candidate" drop an Osama bin Laden-like character for being too "Tom Clancy." Meanwhile, Mr. Clancy's "Sum of All Fears" was also too "Tom Clancy," so the 2002 movie replaced the Islamic terror cell of the 1991 book with some generic old Nazis.

Having read The Sum of All Fears I found the plot change to the movie version to be especially weird. Released less than a year after 9/11 you'd think it would have provided further incentive to stay true to the story. The bizarre Nazi-Russian connection made no sense. I really don't get Hollywood's aversion to depicting Middle Eastern terrorists.